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Harmony II Skatckes



Here the second episode.
This time we look at the so-called "families", ie the degrees of the scale who are harmonically equivalent harmonized, and that lend themselves well to the now famous and abusatissime "replacement agreement".

The first family is to Tonica, within which the I grade III and VI of the major scale harmonized
then
Example:

CΔ7 (level I) Em7 (grade III) and Am7 (sixth grade)

In fact we shared the notes of these three agreements:



(yes, this is a picture of my notebook, I did not want to go up to the scanner or scan them .. with some notation program)


then there a second family, call Dominant , they belong to the V and VII degrees

then: G7 and BBO (remember that the examples are always in the key of C)





And lastly family subdominant II and IV and

Dm7 FΔ7




Try to include progressions on Band in a Box and you will see that it works ...

example, on a blues in C:

Standard outline

C7 time and making it lively with rapid chord changes, creating new scenarios and improvisational atmosphere!